How to Be Funny (Even When You’re Not): David Nihill

如何变得滑稽(即使你并不滑稽):大卫·尼希尔

Good Life Project

自我完善

2016-06-26

54 分钟
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This week, our in-depth conversation features David Nihill. Born and raised in Dublin, Ireland, David, like so man of us, had a deep fear of public speaking. But, he found himself having to face this head on, when he reluctantly agreed to host a benefit comedy show he had suggested for a friend, Arash Bayatmakou, who had suffered a severe spinal cord injury (Comedy for a Spinal Cause). He quickly realized the best speakers were also often the funniest. Not because of the one-liners they threw into the audience, but because they knew how to tell a story in a way that made people laugh. In at attempt to learn the craft and also face his crippling fear of public speaking, he spent a year traveling the country pretending to be an accomplished comedian and talking his way onto as many comedy show stages and festivals as possible. Along the way, he not only overcame his fear of speaking, he began to deconstruct the best story-driven comedy and figured out a methodology he could not only bring to the stage himself, but also teach pretty much anyone. Even people who consider themselves to have nearly zero ability to tell stories or be funny. The shared this approach in a book, k, Do You Talk Funny?, then launched a community, writers platform, and conference series under called FunnyBizz Conference: Where Business Meets Humor, with the intention of helping everyone from speakers and executives to content creators tap the power of storytelling, comedy and improv to engage readers and audiences on a whole new level. David realized he had learned something in the process that could be valuable to other businesspeople — most people, with the right techniques, could learn to be funny, (at least on stage) and learning how to structure a comedy routine involves the exact same skills as making a successful presentation. He now also runs an agency that lets anyone from executives to speakers to anyone who wants funnier content tap a team of freelance comedy writers to punch up anything from a keynote or best-man's speech to an article or boardroom presentation. In This Episode, You'll Learn: What it was like faking his way onto stagesHow his Irish heritage played into his ability to tell storiesWhich TED talks have the most laughs per minute.How comedy & copywriting are correlated.That US comedy is a testament to tight TV ready writing.How many laughs per day a baby has compared to adults over 35 years old.That CEOs perceive people with a sense of humor as doing better work. Mentioned in This Episode: FunnyBizz Conference: Where Business Meets Humor80 free tips from his bookDavid's udemy courseArash Bayatmakou's TEDx talk Hosted on Acast. See acast.com/privacy for more information.
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  • If it's interesting to you, you can learn more@goodlifeproject.com camp or just go ahead and click the link in the show notes now.

  • It works in every walk of life.

  • That's the same thing.

  • It really is our currency of human contact.

  • And if you can tell a story in a more effective form, it helps you in everything you're gonna do.

  • Because ultimately, when you produce something to sell or you leave your job, start your own creative endeavor, it's based on your story.

  • Why are you doing this?

  • And let me relate to it and see myself in it.

  • Born in Dublin, Ireland, this week's guest, David Nile was a natural storyteller, more or less.

  • But like so many other people, he was absolutely terrified of public speaking.

  • But he did the opposite of what most people do when they have that fear instead of running from it.

  • He realized that he had to take a stage pretty soon, and he ran through it, and his approach was looking at what makes public speakers really great.

  • And he honed in on humor, on being funny on stage as one of the cores.

  • So he challenged himself to figure out how to be that person, and he basically pretended to be a stand up comic and spent a year talking his way onto small stages in small comedy clubs across the country until he started to dial it in.