Hockney's In the Dull Village

霍克尼眼中的自由。

A History of the World in 100 Objects

2010-10-19

13 分钟
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This week Neil MacGregor's history of the world is examining the forces that helped shape our way of life and ways of thinking today. He began with the political revolution that exploded In Russia in the 1920s and today he moves on to the sexual revolution of the 1960s. He explores the emergence of legally enshrined human rights and the status of sexuality around the world. He tells the story with the aid of a David Hockney print, one of a series that was made in 1966 as the decriminalisation of homosexuality was being planned, at least in Britain. We hear from David Hockney on the spirit of the decade and from Shami Chakrabarti, the director of the human rights group Liberty Producer: Anthony Denselow
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  • Thank you for downloading this episode of A History of the World in 100 Objects from BBC Radio 4.

  • In the 1960s, public campaigns in Europe and America asserted the right of every citizen

  • - black, white, male, female, straight or gay - to exercise their basic freedoms

  • as long as they caused no harm to others.

  • In Britain, there was also a sexual revolution.

  • The contraceptive pill, women's liberation, and the legalization of homosexuality.

  • Today's object is an etching by the British artist David Hockney.

  • It shows a pair of lovers in bed.

  • They are two men and it could hardly have been published any earlier than the year it was, 1967,

  • because until then homosexual acts in Britain were outlawed.

  • "Then, you couldn't be gay but you could smoke everywhere.

  • Now it's the other way round.

  • I mean, story of my life that."

  • "I think that this is a wonderful image to represent what human rights are all about."

  • A History of the World in 100 Objects.

  • Hockney's "In the Dull Village", an etching made in England in 1966.

  • Two naked young men, half covered by a blanket, lie side-by-side in bed.

  • We're looking down at them from the foot of the bed.

  • One lies with his arms behind his head, his eyes closed as though dozing,

  • while the other lies looking eagerly at him.