Meridith Baer Home: Meridith Baer. She Started Over at 50 and Put Home Staging on the Map.

梅里迪斯·贝尔之家:梅里迪斯·贝尔。她在50岁重新出发,将家居布置推向了风口浪尖。

How I Built This with Guy Raz

2025-12-01

1 小时 3 分钟
PDF

单集简介 ...

Meridith Baer grew up on the grounds of San Quentin prison, acted in TV and movies, wrote scripts in Hollywood … and then, at 50, started over – and built one of the best known home-staging companies in real estate. Meridith’s life unfolds like a movie: As a teenager, she was forced to give up her baby for adoption. In her twenties, she was a writer for Penthouse. In her thirties and forties, she was a screenwriter in Hollywood, hobnobbing with Sally Field and dating Patrick Stewart. But in her late forties, Meridith hit a wall. Her writing career stalled, so she poured her energy into fixing up the house she was renting. When the owner sold that house almost immediately, she stumbled onto a strange new idea: why not stage homes for a living? From there, Meridith turned a few pieces of thrift-store furniture and potted plants into a full-blown business: trucks, warehouses, hundreds of employees, and high-end homes across Los Angeles, New York, Miami, and beyond. Along the way, she weathered the pressures of scaling a creative service into an operational machine—without ever raising outside capital. What you’ll learn: How to reshape a career at 50 (or any age) without a master plan How Meridith priced her work based on value created, not hours worked Why you don’t always need investors to grow a multi-million-dollar service business The psychology of home staging: designing spaces that make buyers fall in love in the first 10 seconds How Meridith thinks about legacy, stepping back, and seizing new opportunities Timestamps:  06:08 – Growing up as a warden’s daughter inside San Quentin 11:01 – Teen pregnancy, forced adoption, and reunion decades later 12:43 – From Pepsi commercials to Penthouse magazine 19:58 – Selling a major movie script, recoiling at the finished product 22:47 – How a breakup with Patrick Stewart totally reshaped Meridith’s life 27:41 – The accidental first staging job at age 50 35:17 – Early days of the business: vans, day laborers from Home Depot, and naming her price 47:18 – Unexpected struggles: tax trouble, a cancer diagnosis 51:07 – The business expands to New York and beyond 1:00:22 – Running a 320-person company at 78—and what comes next 1:05:56 – Small Business Spotlight This episode was produced by Alex Cheng, with music by Ramtin Arablouei. It was edited by Neva Grant, with research help from Noor Gill. Our engineers were Patrick Murray and Kwesi Lee. Follow How I Built This: Instagram → @howibuiltthis X → @HowIBuiltThis Facebook → How I Built This Follow Guy Raz: Instagram → @guy.raz Youtube → guy_raz X → @guyraz Substack → guyraz.substack.com Website → guyraz.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
更多

单集文稿 ...

  • Wondery Plus subscribers can listen to how I built this early and ad-free right now.

  • Join Wondery Plus in the Wondery app or on Apple podcasts.

  • or their children are so well-behaved, or they always wear latex gloves,

  • or they have no pets, or they don't care about red wine.

  • Have you ever heard of slip covers?

  • Welcome to How I Built This, a show about innovators,

  • entrepreneurs, idealists, and the stories behind the movements they built.

  • I'm Guy Ross, and on the show today,

  • how a frustrated screenwriter brought her storytelling to real estate and built Meredith Bear Home,

  • one of the biggest staging companies in the industry.

  • In the late 1990s, something subtle but seismic started to shift in American real estate.

  • For decades, buying a home meant spending your weekends driving from open house to open house,

  • picking up paper flyers, and trying to remember which layout belonged to which address.

  • But suddenly, homes were being listed on the internet, and that changed everything.

  • Because for the first time, buyers could tour dozens of homes in a single sitting,

  • scrolling through bedrooms and backyards long before they ever stepped inside.

  • And with that shift came a new challenge.

  • An empty room in an empty house simply didn't sell the dream.

  • And it didn't photograph well.

  • So a new idea, fairly a concept at the time, began to emerge.