No escape: How reality TV came to pervade pop culture

无处可逃:真人秀如何渗透流行文化

Editor's Picks from The Economist

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2024-08-22

8 分钟
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A handpicked article read aloud from the latest issue of The Economist. Reality television is one of the most divisive and popular genres on the small screen. In her new book, “Cue the Sun!”, writer Emily Nussbaum delves into the format's surprising history.  Listen to what matters most, from global politics and business to science and technology—subscribe to Economist Podcasts+  For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account.
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  • The Economist Hello, I'm Rosie Blore.

  • I host The Intelligence, our daily news and current affairs podcast.

  • Welcome to Editor's Picks.

  • Here's an article we've chosen from the latest edition of The Economist.

  • In New Zealand,

  • a contestant on Race to Survive has been disqualified for killing and eating a weka,

  • an endangered flightless bird.

  • In Britain,

  • a performer on Strictly Come Dancing has left the show after kicking his on-air partner.

  • In America,

  • the makers of The Real Housewives of New York City are being sued by a housewife who says producers got her drunk to make for better television.

  • Few genres of entertainment cause as much outrage as reality television,

  • a format dismissed by its detractors as a form of dirty documentary.

  • Critics have decried reality shows as human zoos ever

  • since they made their raucous debut on the radio in the 1940s with prank shows such as Candid Microphone,

  • a forerunner to the better-known Candid Camera.

  • People always like to see other people fed to the lions,

  • admitted Chuck Barris, a reality TV pioneer.

  • It's reassuring to find there is somebody unhappier than you are.

  • Yet by digging through decades of trash TV, Emily Nussbaum,