The Economist.
Oh, I think it's, over here.
There, is another Swifty, clearly.
I think there's, like, in fact, like an informal line now behind us.
Last week, I found myself in Nashville in the middle of a leafy park with my producer, Stevie Hertz,
lining up to see a bench.
It's a very nice spot.
Lots of flowers, some irises.
It's a brown wooden bench.
And there's a wee plaque which says, for Taylor Swift,
a bench for you to read on at Centennial Park, which is a reference to one of her songs.
We've come to Nashville because we are coming to the birthplace,
I guess, of Taylor Swift as a musical artist.
She moved with her family to Nashville to try and get her musician singing career kickstarted
when she was just a teenager.
It's where she got her big break, where she got her record deal,
and, it still is the sort of hub for her business activities today.
Taylor Swift's success is a Nashville fairy tale.
A relatively unknown singer songwriter moves to town and lands a record deal.
Her first album was a success, her second even more so winning album of the year at the Grammys,