Money Talks: Taylor's version (part two)

泰勒的商业帝国

Money Talks from The Economist

2024-08-30

46 分钟
PDF

单集简介 ...

A dispute with her old record label could have derailed Taylor Swift's career—but instead, she used it to propel herself to superstardom. In the second of two special episodes, we get the inside story of the battle to acquire the rights to Swift's first six albums. We then take an MBA class assessing their value and hear how the singer used the story of the dispute to remake the music industry to her advantage. Hosts: Alice Fulwood, Tom Lee-Devlin and Mike Bird. Guests: Tim Ingham, the founder of Music Business Worldwide; Kristelia García of the Georgetown University Law Center; Michael Schill of the Darden School of Business; and Bill Werde, former editorial director of Billboard magazine, current director of the Bandier Program at Syracuse University and author of the “Full Rate No Cap” newsletter. Transcripts of our podcasts are available via economist.com/podcasts. Listen to what matters most, from global politics and business to science and technology—subscribe to Economist Podcasts+.
更多

单集文稿 ...

  • The Economist.

  • You know, we're about to go on a real adventure.

  • That adventure is going to span 18 years of music,

  • and we're going to be doing this one era at a time.

  • How does that sound to you paris?

  • In June, I flew to Paris to see what is perhaps the greatest show on earth.

  • I'll be your host this evening, Je m'appelle Taylor The Eras tour,

  • which includes tracks written throughout Taylor Swift's career,

  • is expected to gross more than $2 billion.

  • It's hard to point to any one factor alone

  • that has enabled Swift to elevate herself to the pinnacle of the music industry.

  • But a good candidate is the devotion she inspires in her fans.

  • How she engages with them is something she thought a lot about,

  • as she told Jemmy Fallon on The Tonight Show.

  • The first time that I started dropping sort of cryptic clues and things in my music was

  • when I was I was 14 and 15, putting together my first album,

  • and I wanted to do something that incentivised fans to read the lyrics.

  • Swifties now obsess over these so-called Easter eggs, buried in album booklets and music videos,

  • where she hides references to everything from future releases to ex-lovers.

  • And so that's when it started.