2022-09-14
34 分钟From Booksmart Studios, this is Lexicon Valley, a podcast about language.
I'm John McWhorter, and you know,
this show is going to be a little less fun than I at least hope some of the shows are going to be
because I need to address certain matters.
They're things that you hear about again and again, and you know, it's time for me to take a stand.
And as you might guess,
given that this is a language podcast and the sorts of things that one or I might take a stand about,
this is going to be one of my rare shows where I address what we might call race issues.
And specifically, of course, Black English.
What I'm usually doing on this show is trying to indicate ways in which Black English is cool,
and not just in terms of its atmosphere,
but in terms of just how it's built as a grammar,
just what it's like in terms of its historical change over time.
But here, I want to talk about some things about Black English that are less fun than that,
but that I think are going to be just as educational
as me talking about how Black English handles tense or what its verb to be is like or what it was like in 1890 versus 1990.
So I'm going to address, briskly, Three things.
And we're not going to have particular semi-relevant,
usually musical theater music selections in this show,
because when I do shows like this, I get the feeling that would come off as a little trivial.