630. On Broadway, Nobody Knows Nothing

百老汇上,无人知晓真相。

Freakonomics Radio

社会与文化

2025-04-18

1 小时 1 分钟
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A hit like "Hamilton" can come from nowhere while a sure bet can lose $20 million in a flash. We speak with some of the biggest producers in the game — Sonia Friedman, Jeffrey Seller, Hal Luftig — and learn that there is only one guarantee: the theater owners always win. (Part two of a three-part series.)
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  • The People Who Make Theatre The people who make theatre exist in a sort of parallel universe.

  • From inside this universe, it can seem vast.

  • There are so many projects.

  • The work itself is so immersive.

  • And let's be honest, there is a lot of gossip to keep up with.

  • But in reality, theatre is a tiny universe.

  • When you compare it to all the other flashier forms of entertainment like TV and film,

  • live music and sports, video gaming, the theatre universe looks like a distant and dimming star.

  • And yet, believers still believe.

  • And every now and then, someone takes a shot that is so unlikely, so audacious.

  • And if that shot lands, it rejuvenates the whole enterprise and makes the larger world take notice.

  • In other words, this tiny universe really can produce one singular sensation.

  • I'll start from a personal note.

  • My son had been on vacation and he came back and we're 15 blocks apart.