Inspiration is for amateurs.
It is a wonderfully chaotic place, loud and bursting with personality.
How did he do this?
What's real, what's not?
I feel divide.
I need to feed off activity.
I want people's senses to be engaged in the studio.
In the studio.
In the studio.
BBC World Service.
Okay, how do we make this thing?
Last week was a holiday week where I live, which means for my family the luxury of enjoying a feature film on what is usually a school night.
We chose a mystery set in late 19th century England.
So much of the pleasure of watching a period film is noticing the details that express an historical era.
From the antique vehicles to interiors with patterned wallpaper of the Arts and Crafts movement, to props like long gloves or fountain pens that signal another time.
That part of the film, the look and feel, is the purview of one of the most important jobs on a film set.
The production designer.
Today we're privileged to follow one of the industry's most illustrious production designers.
She's worked on Tinker Taylor, Soldier Spy, the Hours and Mamma Mia.
Today, she takes us into the production of her new film starring pop star and actor Harry Styles, My Policeman.