'The Interview': Demi Moore Is Done With the Male Gaze

《采访》:黛米·摩尔不再接受男性的目光

The Daily

2024-09-14

38 分钟
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The actress discusses how her relationship to her body and fame has changed after decades in the public eye.
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  • From the New York Times this is the interview.

  • I'm Lulu Garcia Navarro.

  • It is hard to describe Demi Moore's new movie the substance.

  • On the one hand, it's a dark comedy about the horrors of getting older as a woman in Hollywood, but it's also a literal body horror film.

  • The basic premise is that Moore's character takes this strange elixir that allows her to create younger, more perfect version of herself, and you can see that creation in bloody, visceral detail.

  • It's a movie that challenges us to look at what drives our celebrity obsessed culture and the damage it does to our female stars.

  • Moore is already getting awards buzz for it, and even though I'll confess I was kind of grossed out watching it, I also couldn't look away.

  • I've been mesmerized by Demi Moore my whole life.

  • One of her first big films, St.

  • Elma's fire, in 1985, made me want to go to where it was partially set, Georgetown University, which I eventually did.

  • Ghost, with that famous scene of her making pottery with Patrick Swayze, made me want to live in a New York loft that, alas, never happened.

  • Her later films, like a Few Good Men, GI Jane and decent proposal, were basically the metronome of my younger life.

  • Along the way, I grew to admire her chutzpah as she became the highest paid actress in Hollywood, as well as an early advocate of pay equity more broadly.

  • Long before the issue was part of the national discourse and after a stint away from Hollywood in 2019, she penned a smart and revealing memoir about her tumultuous childhood, her iconic roles, and her high profile marriages to both Bruce Willis and Ashton Kutcher.