This is A.G. Sulzberger.
I'm the publisher of The New York Times, and I'm also a former reporter who 's watched with a lot of alarm
as our profession has shrunk in recent years.
Normally, this is where I'd ask you to subscribe to The Times.
But today, I'm encouraging you to support any news organization that's dedicated to original reporting.
Whether that 's your local newspaper, a national paper,
or The New York Times, what matters most is that you subscribe to a real news organization doing firsthand.
Fact-based reporting.
And if you already do, thank you.
From the New York Times, I'm Natalie Kittroweff.
This is The Daily on Sunday.
In the world of opera, Lisa Davidsson is a superstar.
Full stop.
The Norwegian soprano has been described as one of the greatest singers of our time, with a one-in-a-million voice.
This spring, she 's been leading a rare, sold-out run at the Metropolitan Opera in New York City of Tristan and Isolde,
a performance that 's gotten rave reviews across the board.
But Davidson is also at a crossroads, because nine months ago, she gave birth to twins.
And that has her questioning her relationship to her career,
her art, and her expectations for what her life should look like.
Today, I talk with writer, editor, and former opera critic Zachary Wolfe about his conversation with Lisa Davidson