Rachel Cusk on Art, Womanhood and Redefining Fiction, Part Two

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  What are you doing right now?

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  Perhaps you're in the supermarket, maybe you're on a run or on the commute.

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  But wherever you are in the world and whatever you're doing right now, you're also listening to my voice.

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  This is the power of podcasts, the ability to communicate with your audience in an intimate and intentional way through through audio.

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  I'm Bea Duncan, senior partnerships producer at Intelligence Squared.

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  We've been a world leading forum for talks, debates and events for over two decades, and we also use our cutting edge curation, creativity and editorial expertise to elevate your brand to new audiences with podcasting.

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  Hello and welcome to Intelligence Squared, where great minds meet.

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  I'm head of programming, Connor Boyle.

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  We're rejoining our live event for this episode with the author Rachel Cusk, discussing her latest book, the bold and experimental novel parade, and also some of her recent titles that push the literary form into new arena, such as the outlying trilogy of books.

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  This intelligence squared event was in partnership with Faber members and recorded recently at Londons Union Chapel.

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  Joining Cusk live on stage to discuss it all was the writer and literary director of Shakespeare and company bookstore in Paris, Adam Biles.

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  This conversation is in three parts.

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  If you havent caught part one, wed strongly advise jumping back an episode to hear the first part, as Adam and Rachel are really getting into the details in this episode.

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  And if you want to hear even more from Rachel Cusk, you can get our exclusive members only part three installment by becoming a member of Intelligence Squared.

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  Just head to intelligencesquared.com membership to sign up or hit subscribe on Apple for just the audio.

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  Now let's get back into part two.

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  Here's Adam Biles with more it's interesting.

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  This idea of life stage or sort of changes with age, because that's definitely a shift that we notice in parade is oddly from, I guess in previous works from the the narrative voice being one of the parent.

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