Shadow Puppet of Bima

比马皮影:穆斯林国家拜印度神?

A History of the World in 100 Objects

2010-09-29

14 分钟
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单集简介 ...

The history of humanity - as told through one hundred objects from the British Museum in London - is in South East Asia. This week Neil MacGregor, the museum's director, is with the objects from across the world around 400 years ago that explore the relationships between religion and society. Today he is with a shadow puppet from the Indonesian island of Java, asking how a puppet watched by a predominantly Muslim audience is a character from a Hindi epic. He describes the history of the theatre of shadows and explores how it reveals the religious traditions that have shaped Indonesian life. He talks to a puppet master from Java. And the Malaysian novelist Tash Aw discusses the influence of shadow theatre on the region today. Producer: Anthony Denselow
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单集文稿 ...

  • Thank you for downloading this episode of A History of the World in 100 Objects from BBC Radio 4.

  • When the young Barack Obama was taken to Java to live with his new Indonesian stepfather,

  • he was astonished to see, standing astride the road, a giant statue with the body of a man

  • and the head of an ape.

  • He was told that it was Hanuman, the Hindu monkey god.

  • But what was a huge Hindu god doing in the streets of modern Muslim Indonesia?

  • The answer is, I think, a fascinating story of tolerance and absorption,

  • a relaxed compromise between religions unlike any of the other multi-faith societies

  • that we are looking at through the objects of this week.

  • And it's a story that can almost be summed up by a puppet

  • and by the ancient Indonesian art of shadow theatre.

  • Shadow puppets veer dangerously close to idolatry.

  • It's a very, very interesting mix of how something so seemingly un-Muslim

  • sits in a community that's very, very Muslim.

  • A History of the World in 100 Objects.

  • Shadow puppet of the character Bima.

  • Made in Java during the 17th or 18th century.

  • Throughout this week, the objects I'm engaging with take us into the consequences

  • of the great movements of religion across the world and the coexistence of faiths around 400 years ago.

  • Today's object is a shadow puppet from Indonesia, where shadow puppetry is still a celebrated living art form