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True crime is as old as storytelling, the cultural obsession.
It's nothing new.
One thing that true crime kind of excels at, though, is it adapts to new technology and media formats really well, from the printing press to podcasts and Facebook.
And with this, we've seen the development of what some people call the true crime industrial complex.
It's a huge business, and it can also be an emotional minefield for victims families.
My name's Sarah Barine, and I'm a contributing writer for the New York Times Magazine, and I used to live in Lubbock, Texas, where this week's Sunday read takes place.
It's a piece I wrote for the magazine about a woman named Liz Flatt, whose sister, Deborah Sue Williamson, or Debbie, was murdered almost 50 years ago when Debbie was 18 and Liz was just eight.
My story follows Liz's efforts to solve her sister's murder and how, in the process, she became a target of some of the very people who also wanted to see her sister's murder solved.
So the trouble for Liz begins in 2021.
Decades had passed since her sister's killing.
From Liz's perspective, the police weren't really making any progress on the case, and Liz had already tried a bunch of other avenues, appearing on podcasts, talking to journalists, working with a nonprofit that focused on cold cases.
She was even part of a true crime documentary on Netflix.
Increasingly desperate, she finds herself at Crimecon, which is the biggest true crime conference in the United States, possibly even in the world.
And there she meets these two independent investigator podcasters.
One is also a journalist and the other an adjunct professor at a university.